Music in Theory and Practice Volume 2

Synopsis

PrefacePart A: The Renaissance And Baroque PeriodsChp. 1: Late Renaissance PolyphonyChp. 2: Two-Voice Eighteenth Century CounterpointChp. 3: The FuguePart B: Chromatic HarmonyChp. 4: Borrowed ChordsChp. 5: Neapolitan 6th ChordsChp. 6: Augmented 6th ChordsPart C: The Classical Period (1750-1825)Chp. 7: Variation TechniqueChp. 8: Sonata FormChp. 9: Rondo FormsPart D: Extended And Chromatic HarmonyChp. 10: 9th,11th, and 13th ChordsChp. 11: Altered DominantsChp. 12: Chromatic MediantsPart E: The Nineteenth And Twentieth CenturiesChp. 13: The Romantic Period (1825-1900)Chp. 14: The Post-Romantic Impressionistic, and Related StylesChp. 15: The Contemporary Period (1910-1945)Chp. 16: Twelve-Tone TechniquePostlude: Music Since 1945AppendixesGlossaryIndex